Rolan Vega, "Documentary"
on Community Library
Rolan Vega's ambiguous debut on Community Library suffers from its unfocused genesis. In part a tribute to movie and television soundtracks, Documentary is an intriguing compilation of Vega's synthesizer compositions but not an entirely successful album.
Released last year, Documentary wobbles between being an academic salutation and a directionless compilation of synthetic melody and rhythm. The music itself was composed at different times for different media and purposes; these songs were used variously as live scores, soundtracks for short films, and accompaniments to Vega's own video projects. The result is an uneven collection of songs. No matter how intriguing many of these compositions are, listening through from beginning to end can become a chore. While an emphasis on completion may have demanded the inclusion of many short and unique tracks, their inclusion on Documentary represents the majority of the album's disposable fare. Video may have originally given depth to these tracks, but standing alone they inspire little more than an anxious desire to move to the next song.
Fortunately Vega is an adept composer capable of producing uneasy moments, triumphant crescendos, fecund sound-scapes, danceable rhythms, and unique aural episodes. Given time and patience, Documentary blooms and showcases some undeniable gems.
Both "Viva Myria" and "Playlite" contain an enchanting depth and complexity. The former relies upon synthetic drift to weave its spell while the latter hums to the stuttering of a suffocated percussion section. Neither offers more than a minimal number of musical sources, but both call very strong images to mind with little effort. If it were not for the two intervening shorts, "4 Autiim" would have complimented them both nicely. For five minutes it pulses with electronic waves of sound and metallic snares, engendering a fleet of sci-fi memories as played by whirring robotic musicians. My three favorite pieces on this album call to mind sci-fi movies, actually, all of them dense and distorted with an undeniable element of foreboding included.
The disc closes with "Documentary," a piece sure to call some other soundtrack-obsessed musicians to mind. With the sound of chirping birds in tow, Vega ends his album with a warmth characteristic of the soundtracks composed for nature documentaries and PBS specials. It does not come as an unexpected surprise nor is it wholly un-listenable, but it's a bit of a disappointment; Vega is at his best when he's cutting his own path, not emulating someone else's. Documentary provides enough to enjoy, but lacks both continuity and consistent quality.
Marc Hannaford, "The Garden of Forking Paths"
on Extreme Records
Accessible, improvisational jazz is given new life at the hands of this exceptional quartet. Australian pianist Marc Hannaford leads his group through a variety of musical approaches, drawing a lively dialogue out of each of them that entertains with ease. This quartet reaches deep into their imaginative bag of tricks and pull out one stunning performance after another.
In some ways it seems all too easy to release an album of improvised music. With the advent of cheap recording it is possible for almost anyone to assemble a bunch of half-assed recordings produced over the course of a few extended jams and call it an album. Woe to the thoughtless noise-maker indeed, for his kind is populating the internet with increasing regularity. I expected so much from Marc Hannaford. I must admit a certain amount of cynicism when it comes to modern jazz recordings; all too often they favor technique over content and, as is the case with other genres that claim improvisation as a cornerstone of their craft, fail to provide much to appreciate beyond the technique itself. Hannaford, Scott Tinkler, Ken Edie, and Philip Rex know a thing or two about improvisation, however. They exhibit a thoughtfulness in their play that the likes of Albert Ayler and John Coltrane recognized as invaluable to the art form. With an eye on certain compositional principles and methodologies, each member of this quartet contributes their own character and reason to eight superb recordings of controlled chaos.
"Sauna Twins" begins with Hannaford's incongruous and drunken piano playing; he stumbles and careens across his ivory keys in seemingly random jumps, ranting with a persistent vigor that pretends coherence. Philip Rex soon answers his call on bass, entering open spaces in the conversation with light jabs and punchy deliveries. It's not hard to imagine that the two musicians are in conversation with each other, one calling out in a certain chord, the other responding with a quick urgency. The addition of Edie's drums and Tinkler's trumpet suddenly clouds this exchange, but soon each musician falls in with the other, filling in the gaps that one or the other leaves. In no time at all (and without introduction), the massive "G.E.B." is in full swing. The instruments have, in the span of just over four minutes, become characters of their own. Sometimes they compliment each other by falling into near silence together, other times they appear to argue, one yelling in order to claim dominance, the other three huddling together before launching a counter-attack. The beauty of many of these performances is that they feel genuinely organic, like the best written dialogues. For all the random components at play, however, there is a unifying theme at work in the background, a theme that each of the musicians manage to keep in mind as they parade through their own musical arguments.
Clocking in at over 17 minutes long, one might expect "G.E.B" to become boring or overwrought, but each of its varied movements not only seem necessary, they're downright beautiful. Tinkler's trumpet performance, especially in the last five minutes or so, is nearly epic in all its 64th-note glory. Rex's percussive force is immense, his hands creating a virtual parade of power throughout the entire piece. It might be argued that "G.E.B." lays too many cards on the table too early; both "Pure Evil" and "All Booze" seem small in its shadow, but both are appealing and set the rest of the record up quite well. The initial and deceptive calm of "I'll Go Down..." (Hannaford's solo piano performance) is all the more powerful because of the way it contrasts with "All Booze" and "Pure Evil" features some pseudo-funky bass and drum explosions that'd make Squarepusher more than just a little jealous. There's a lot going on throughout The Garden of Forking Paths. It's equally diverse, random, tight, well-conceived, and welcoming. I'm as impressed with the music as I am with the technique that spawned it.
Caldwell, Subbing (ZBC Rock) Jan 7th 2008, 10.00AM to 12.00PM
Artist | Song | Disk | Year | Label |
---|---|---|---|---|
Thinking Fellers Union Local 282 | Selections from A Fistful of Dollars | Everyday / Selections From... 7" | 1995 | amarillo |
Silkworm | Our Secret | The Chain / Our Secret 7" | 1992 | Aurora |
Clearlake | Don't Let the Cold In | Don't Let The Cold In | 2000 | Dusty Company |
Siddal | Angel Wars | 7" | 1993 | Bedazzled URL |
Pseudo Code | Far Away From My Own land | 7" | 1984 | Waving Graphic |
Disappointed a Few People | Dead in Love | Dead In Love | 1986 | Psyche |
Ed Kuepper | Electrical Storm | Electrical Storm | 1986 | Hot Record |
Peter Laughner and Friends | Me & the Devil Blues | Take the Guitar Player for a Ride | 1995 | Tim Kerr |
Roni & the Jitters | Wild Weekend | 7" | 1980 | Rockpool |
Scout Niblett | Kiss | This Fool Can Die Now | 2007 | Too Pure URL |
Salem 66 | Across the Sea | 7" | 1984 | Homestead |
Misfits | London Dungeon | Collection I | 1986 | Plan 9 |
Ranch Hands | Stomp It | 7" | 1984 | Egon Records |
Songs:Ohia | The Big Game is Every Night | Magnolia Electric Co. | 2003 | Secretly Canadian URL |
Bonnie "Prince" Billy & Dawn McCarthy | The Signifying Wolf | Wai Notes | 2007 | Drag City URL |
The Raybeats | Instant Twist | It's Only a Movie | 1983 | Shanachie Records |
Cabaret Voltaire | James Brown | Micro-phonies | 1984 | Virgin URL |
The Residents | Kaw-Liga | Stars + Hank Forever | 1996 | ralph records |
Orbital | Impact (The Earth Is Burning) | Orbital 2 | 1993 | FFRR |
Kinski | Argentina Turner | Down Below It's Chaos | 2007 | Sub Pop URL |
Six Organs of Admittance | Jade Like Wine | shelter from the ash | 2007 | Drag City URL |
Cranes | Shining Road | EP Collection 1 + 2 | 1997 | Dedicated URL |
Front Line Assembly | Big Money | Gashed Senses & Crossfire | 1989 | Wax Trax! URL |
Caldwell, Subbing (ZBC Rock) Jan 9th 2008, 10.00AM to 12.00PM
Artist | Song | Disk | Year | Label |
---|---|---|---|---|
Mark Arm | Masters of War | 7" | 1990 | Sub Pop URL |
Archers of Loaf | Web in Front | Web in Front | 1993 | Alias URL |
13 Ghosts | Movie Night at Brackett's | Movie Night at Bracketts 7" | 1999 | Babydoll |
Majesty Crush | Sunny Pie | Sunny Pie / Cicciolina 7" | 1992 | Vulva |
Love Camp 7 | Huxley in Hollywood | 7" | 1990 | Bowlmor |
The Royal Macadamians | Relax in Lebanon | experiments in terror | 1990 | island record |
Disposable Heroes of Hiphoprisy | Language of Violence | Language of Violence 12" | 1992 | 4th & B-Way |
Die Krupps With Nitzer Ebb | True Work - Mix | The Machineries of Joy | 1989 | BCM Records |
Magnetophone | Monitor Rocket Science | You Should Write Music / Monitor Rocket Science 7" | 2000 | Earworm URL |
Pinch | Widescreen | Underwater Dancehall | 2007 | Tectonic |
Pole | Winkelstreben Ghislain Poirier Remix | Steingarten Remixes | 2007 | Scape URL |
Burial | Raver | Untrue | 2007 | Hyperdub |
Alasdair Roberts | As I Came In By Huntly Town | The Crook of My Arm | 2001 | Secretly Canadian URL |
Eyeless in Gaza | Invisibility | Invisibilty | 1981 | Cherry Red URL |
Echoboy | She | Pure New Wool | 1999 | For Us |
Citizen's Utilities | King County Derelict | 7" | 1995 | Shangri-La |
Inspiral Carpets | Commercial rain | Joe EP | 1990 | Moo |
Razor Penguins | The Math Professor | 7" | 1986 | Ice Works |
Sid Presley Experience | Public Enemy #1 | Public Enemy #1 / Hup Two Three Four 7" | 1984 | I D |
Man Or Astro-Man? | King of the Monsters | Welcome to the Sonic Space Age | 1996 | Clawfist |
The Hate Bombs | Ghoul Girl | Ghoul Girl / She Bit Me | 1997 | Baby Doll Records |
Jonathan Fire Eater | The Beautician | Tremble Under Boom Lights | 1996 | The Medicine Label URL |
Daniel Johnston | Speeding Motorcycle | Yip/Jump Music | 1983 | Homestead Records |
The Bloods | Button Up | Button Up 7" | 1981 | Exit International |
Elephant | Dance on Me | 7" | 1998 | Mock Rock |
Electric Sound of Joy | Play Away | play away | 1997 | Earworm URL |
Caldwell, "Laughter" (ZBC Rock) Jan 10th 2008, 10.00AM to 12.00PM
Artist | Song | Disk | Year | Label |
---|---|---|---|---|
Future Sound of London | We Have Explosive | Dead Cities | 1996 | Astralwerks URL |
Test Dept. | New World Order | new world order | 1991 | Ministry of Power URL |
Stereo Taxic Device | Soman | Stereo Taxic Device | 1991 | KK-Records Belgium |
Strange Nursery | To Whom the Unit is Attached | Strange Nursery | 1989 | Strange Nursery |
Penguin Cafe Orchestra | More Milk | Broadcasting from Home | 1984 | Editions EG |
Dark | Drifting | Tamna Voda | 1991 | CMP |
Can | I Want More | Flowmotion | 1976 | Virgin URL |
Einstürzende Neubauten | The Garden | ende neu | 1998 | Nothing |
Breather | Maya | Loves and Disloves | 1984 | Sonic Incision |
Lida Husik | Billboard | Bozo | 1991 | Shimmy Disc |
Dog Faced Hermans | Cactus | Humans Fly | 1988 | Calculus |
The Leaving Trains | Hometown Blues | Well Down Blue Highway | 1984 | Bemisbrain Records |
Husker Du | MTC / Don't Have a Life | Land Speed Record | 1982 | SST URL |
Labradford | Scenic Recovery | Labradford | 1996 | Kranky URL |
Valium Aggelein | Abheben in Stereo | Hier Kommt Der Schwartze Mond | 1998 | Audio Info Phenomena |
Squarepusher | Do You Know Squarepusher | Do You Know Squarepusher | 2001 | Warp URL |
DJ Food | Monocle (Silver Dub) | The Quadraplex ep | 2001 | Ninja Tune URL EMAIL |
R.U.O.K. | The Job Interview | R.U.O.K. | 1998 | Quantum Loop |
Faust Vs. Dälek | T-Electronique | Derbe Respect, Alder | 2003 | Staubgold URL |
Fennesz | City of Light | Venice | 2004 | touch music URL |
Blackgirls | Moonflower | Procedure | 1990 | mammoth records |
John Fahey | Joe Kirby Blues | The Great Santa Barbara Oil Slick | 2004 | Water |
Charalambides | The Good Life | Likeness | 2007 | Kranky URL |
Dead C | Comme Toi Meme | The Whitehouse | 1995 | Siltbreeze |
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